Plays: Comrades; Facing Death; Pariah; Easter

Excerpt:
AXEL. Well, well, pardon, pardon!
BERTHA. You must be jealous. I don't believe you would really like it if I
were accepted at the salon.
AXEL. Nothing would make me happier. Believe me, Bertha.
BERTHA. Would you be happy, too, if I were accepted and you were refused?
AXEL. I must feel and see. [Puts his hand over his heart.] No, that would be
decidedly disagreeable, decidedly. In the first place, because I paint better than
you do, and because--
BERTHA [Walking up and down]. Speak out. Because I am a woman!
AXEL. Yes, just that. It may seem strange, but to me it's as if you women were
intruding and plundering where we have fought for so long while you sat by the
fire. Forgive me, Bertha, for talking like this, but such thoughts have occurred
to me.
…

About Author:
Johan August Strindberg (22 January 1849 – 14 May 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg's career spanned four decades, during which time he wrote over 60 plays and more than 30 works of fiction, autobiography, history, cultural analysis, and politics. A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed forms of dramatic action, language, and visual composition so innovative that many were to become technically possible to stage only with the advent of film. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.